Tag Archives: conference

Pricing editorial work – SfEP conference session preview

By Liz Jones

Booking for our 2016 conference, ‘Let’s Talk About Text’, closes on Friday 8 July. At the time of writing there are only a handful of non-resident places left, so if you don’t want to miss out, book now!

I’ve been invited to present in a ‘Speed start-up: what newbies need to know’ session at the SfEP conference in September on the subject of pricing work, alongside Sue Littleford (Numbers for word people) and Louise Harnby (Banishing the marketing heebie-jeebies). Here’s a taster of my section of the session.

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Pricing editorial work comes up time and again in discussion between editors. In the session I’m going to look at the basic process of quoting for work, which can be applied across a range of situations. The same principles can also be used to work out if a fixed fee offered by a client is fair.

  1. Assess the information provided about the work

The client should provide you with the project parameters, including extent or word count, schedule, level of editing required, and so on. They might suggest a price, or they might ask you to quote.

  1. Ask for more information if you need it

You can’t accurately price work without adequate information and a sample of the text. If the client will not provide the information you need to price the work, proceed with caution!

  1. Work out what your work is worth

To work out a price for the work, you can take the hourly rate you need/want to earn, multiply it by the length of time you estimate the job will take, and add on contingency to arrive at a total fee. Alternatively you can quote what you think the work is worth to the client. Other factors can influence the figure, such as the particular market, or the time frame allowed for the work.

  1. Use data from previous projects/colleagues to help you

To enable you to estimate how long a job will take, it is essential to keep records of work you do. If you are asked to quote for work unlike anything you have done, you can ask colleagues for advice – for example, in the SfEP forums.

  1. Prepare a quote, making clear what it covers

When you provide a price, you should also indicate what this price includes. For many publishers, this will be fairly straightforward, as they are likely to be commissioning you for a commonly understood part of the process such as copy-editing or proofreading. For a non-publisher, you will need to ensure they know precisely what they are getting for their money, and importantly what is not included.

  1. Prepare to negotiate

If your client suggests a price, don’t be afraid to ask for more if you think the work warrants it; equally, if you suggest a price, be prepared for the client trying to negotiate down.

  1. Agree terms with the client, and start work

Make sure you have the agreed price and the scope of work in writing before you start work. If anything changes that might affect the price, raise this with your client as soon as possible.

In the session I’ll be looking in more detail at each of the stages – with particular focus on working out what the job is worth – and taking questions. There will also be a handout with further information and links to resources to help you at each stage of the process.

Sue, Louise and I will be presenting on Monday, 12 September 2016, between 1.30 and 2.30 p.m. I hope to see you there!

Liz Jones Liz Jones has been an editor since 1998, and full-time freelance since 2008; she is an Advanced Professional Member of the SfEP. She specialises in trade non-fiction, fiction and educational publishing, but also works with a range of business clients and individuals. When not editing she writes fiction, and also blogs about editing and freelancing at Eat Sleep Edit Repeat.

 

Posted by Tracey Roberts, SfEP blog coordinator

The views expressed here do not necessarily reflect those of the SfEP

A survival guide for introverts networking at the SfEP conference

By Abi Saffrey with contributions from Julia Sandford-Cooke and Melanie Thompson

There are loads of blog posts about how to cope with attending a conference if you’re an introvert – just search for ‘introvert conference’ and you’ll find lots of bedtime reading.

We’ve had a look through some of those blog posts, relived our own introvert experiences and racked our own brains to put together this networking guide for introverts: surviving the SfEP conference – this year’s is fast approaching and preparation can be the key for those of us who find large work and social occasions a somewhat overwhelming prospect.

challenge

What’s an introvert?

It’s a characteristic/personality label that some people adopt.

  • One description doesn’t fit all.
  • The common contemporary definition is someone who gets energy from within rather than from other people.
  • It does not equate to shyness, though some introverts are also shy.

Extroverts can find conferences overwhelming too – they’re intense events. Meeting new people and having to make conversation with strangers can be intimidating for anyone.

Who’s an introvert?

Somewhere between a third and a half of the general population. Probably more than that among editors and proofreaders, particularly those of us who have opted for the freelance lifestyle.

Why would an introvert want to go to the SfEP conference?

For the same reasons as extroverts – to learn new skills, to be inspired, to hear about the latest developments in publishing and, yes, to meet other editors and proofreaders. Where else can you laugh with someone who understands about having to remove double spaces after full stops after the revisions have come back from the author for the third time?

Things to do before the conference

  • Think about what you want to get from the conference – and how you’re going to get it.
  • See who else is attending and if there are one, two, three people in particular you’d like to talk to, or at least make an initial connection with. Perhaps you’ve read their blog or been helped by their advice on the SfEP forums. Maybe you’ve seen their pithy comments on Facebook editorial discussions and just think you’d get on with them.
  • Pre-break the ice. Make contact with those people in advance – the groundwork can be done in a thought-out email rather than having to do a big face-to-face introduction.
  • Research the speakers and their topics to give you conversation starters.
  • Prepare some opening lines or questions [For example: Favourite part so far? Which bit are you most looking forward to? Which sessions are you going to today/tomorrow? What brings you here? Will you come again? What’s your favourite aspect of your work? Are you hoping to learn something in particular while you’re here?]
  • Think about how you may answer those questions.
  • Watch Susan Cain’s TED Talk about the power of introverts.
  • Look at the schedule – where are you going to slot in the wind-down time? Are there sessions you may be able to miss if you need a break?
  • Think about what kind of things will make the conference more stressful. Sharing a taxi with strangers? Not knowing anyone on your table at dinnertime? Do what preparation you can to lessen those stresses – make contacts, budget for a taxi on your own.
  • Take things with you that help you feel comfortable – fluffy slippers, a new notebook, a photo of your dog, something that reminds you of home or another happy place.
  • Stick to your normal morning routine, as much as you can. Bring your own teabags or coffee, or whatever you need for you to start the day in the normal way.

Things to do during the conference

The main thing is to make the conference work for you.

  • Before walking into a social situation or a session, stand tall, roll your shoulders back and take a deep breath (or several) – do the power pose.
  • Make time for breaks – in whatever form recharges you. Sit in the sun, read a book, go for a walk.
  • Use your downtime to consolidate what you have learnt so far and plan for what’s coming next. Or just stare at a wall.
  • It’s okay to go off on your own, or to stare at a wall.
  • Be who you are – there is no ideal conference attendee mould that you have to fit into.
  • It’s okay to be a quiet participant. Listen. Say only as much as you are comfortable saying. There is no minimum or maximum contribution.
  • Recharge during a session (not necessarily dozing off…). Arrive just before a session is about to start, don’t sit too close to the front, Tweet.
  • Ask someone you know to introduce you to someone else.
  • Preserve your energy for when you need it most – some sessions are more important than others.
  • If you’ve had enough, miss a session. You can always track down the speaker’s notes or slides later, or (gasp) ask another attendee about the main points covered.
  • Use your skills to your advantage – listen, think, listen, ask perceptive questions, listen, ask why and listen carefully to the response.
  • Don’t talk to everyone – you don’t have to and it’ll just wear you out.
  • Don’t wear new shoes – sore feet can be really distracting.
  • Don’t fixate on what you’ve said or done afterwards. You might be mortified that you got that person’s name wrong or forgot you’d met before, but they probably took it in their stride. They might even be worrying about having done the same thing.

Things to do after the conference

  • Schedule some downtime in the following week.
  • Plan some time to go through your notes and decide on some action points (not just for introverts).
  • Make plans to go again next year – each time you’ll know more people, you’ll know the way things work, you’ll be a bit more comfortable.
  • Get in touch with anyone you wanted to talk to at the conference but didn’t have time to.

Let us know if you have any other good tips for surviving ‘big events’.

Abi Saffrey, Julia Sandford-Cooke and Melanie Thompson are all introverts and will be at this year’s SfEP conference. Don’t be offended if they want to be alone.

Abi SaffreyAbi Saffrey is an advanced professional member of the SfEP. She specialises in copy-editing and proofreading economics and social policy content, and anything within the wider social sciences realm. Abi is a social introvert with two young children, and slight addictions to bootcamps and tea.

 

Blog posts I visited while writing this post

How introverts can make the most of conferences

How to survive big conferences as an introvert

An introverts guide to getting the most from a conference

Six ways introverts can avoid feeling shy at conferences

Should introverts go to conferences?

The introvert’s guide to surviving an in-person conference

An introvert’s guide to conference networking

Introverts: how to make friends and network at conferences

The views expressed here do not necessarily reflect those of the SfEP

The hidden art of editing – the 2016 Whitcombe lecture

By Susan Greenberg

When I was first invited to give the keynote Whitcombe lecture at this year’s SfEP conference, they told me about the theme for this year – ‘Let’s talk about text’ – and explained: ‘Our members’ work is very varied, but we are all in the business of improving text.’

I feel a deep affinity with this approach. I have spent the greater part of my life thinking about what it means to improve texts; first as a practitioner, then as an academic.

When I started a PhD to go with this new career, about 10 years ago, I wanted to choose a subject that connected these two different lives. And I chose editing in particular because – like other behind-the-scenes work – it is mostly invisible; a hidden art. It would be interesting to bring it more fully into view.

Right from the start, my instinct was to look at the subject in the round. The analysis had to be comparative; it had to take the long view, and it had to include the insights of practitioners. The comparative aspect is crucial, because we already know how the different kinds of editorial work are different; why not ask how they might be similar?

Z_EditorsCoverSo far, one book has already come out of this research, and work on a second is advanced. In the first book, a set of interviews, we get to hear conversations on a human level about what people do when they are editing and what they think about it. This does three main things:

  1. It teases out the shared concerns of different kinds of editors.
  2. It gives a rough shape of a possible ‘best practice’.
  3. It underlines the extent to which good communication is hard; and so the extent to which people need help.

The second book is based on the idea that to bring this invisible practice into full view, we need not just description and definition, but also a really good theory.

We think of ‘theory’ as something high-minded and abstract, but it can and does affect everyday life. Compared to other cultural practices, publishing is very under-theorised. And this can end up undermining its value or status. The reason is that people need a framework in which they can fit random discoveries; otherwise the things they encounter are not fully noticed or remembered.

So, one needs a theory, but the type of theory makes a difference to visibility as well. Until now, the theorisation of editing often comes under the heading of ‘social constructivism’ and often uses the language of ‘gatekeeping’. This is a useful metaphor, but it can struggle to fit all sizes. And it sometimes makes too many assumptions about its subject. The assumption in the case of editing is usually that the ‘gatekeeper’ is always bad, and is always found only in whatever part of the media that the researcher does not like.

That is why I feel there is a need to define principles for textual work that make more allowances for the messiness of human practice.

Dr Susan Greenberg

Dr Susan Greenberg

Dr Susan L. Greenberg is Senior Lecturer in Creative Writing at the University of Roehampton [1], following a long career as journalist and editor. She teaches and offers doctoral supervision in her specialist areas of narrative nonfiction, and publishing. Susan is also the Publisher of the department’s in-house imprint, Fincham Press [2]. Publications include Editors talk about editing: insights for readers, writers and publishers (Peter Lang, 2015) [3]. Visit her blog at Oddfish [4] or follow her on Twitter at @sgediting. [5]

The Judith Butcher Award: recognising our unsung volunteers

Judith ButcherNominations for the 2015 Judith Butcher Award are now open. So what is the Judith Butcher Award and why should you think about nominating someone to win it?

As with many organisations, much of the success of the Society for Editors and Proofreaders (SfEP) is down to the tireless work of volunteers behind the scenes. To recognise these efforts, the SfEP established the Judith Butcher Award in 2011 to ensure individuals who make a valuable difference to the SfEP and its membership are rewarded for their contributions.

Named after our serving president, the Judith Butcher Award was first presented at the SfEP 2012 annual general meeting and is awarded annually at our AGM and conference.

As well as being the SfEP’s first honorary president, Judith Butcher is the author of Butcher’s Copy-editing: The Cambridge Handbook for Editors, Copy-editors and Proofreaders.

The first winner of the Judith Butcher Award was Lesley Ward who was a member of the SfEP’s founding committee, served as the SfEP’s first treasurer and played a major role in developing its training programme.

Since then, the Judith Butcher Award honoured Helen Stevens in 2013 for ‘doing a huge amount of work to bring the SfEP right up to date on social media platforms, especially through the Facebook page’. Helen has previously served as the SfEP marketing and PR director.

Judith Butcher Award 2014Last year, Averill Buchanan received the Judith Butcher Award for being ‘the driving force behind the Northern Ireland SfEP local group’. She was particularly commended for her efforts in organising training courses in the region and promoting these through social media. Averill also set up the SfEP Twitter account and recruited a team of volunteers to help her manage the account and has volunteered as a moderator on the SfEP forum.

One of the best things about the Judith Butcher Award is that the criteria seek to recognise those who have made important, but less obvious, contributions to the organisation, as well as those who have made more visible differences. So have a think about who you have been in contact with over the past year and how they have impacted on you and your experience of the SfEP.

Nominations for the Judith Butcher Award are open until midday on Monday 20 April 2015 and all you need to do is email your own name and SfEP membership number and up to 150 words supporting your nomination to: jba@sfep.org.uk.

You can nominate anyone within the SfEP except yourself, serving council members, existing honorary members or anyone who was shortlisted for the award last year (so, sadly, that rules out Sarah Patey and John Woodruff).

The nominations are then considered by a Judith Butcher Award sub-committee, which is made up of honorary SfEP members and past winners of the Award, before a shortlist is announced in June and the winner decided in July.

Now it’s over to you to ensure our best asset, our members, are duly recognised and celebrated.

Email your nominations to jba@sfep.org.uk by midday on Monday 20 April 2015.

Joanna BoweryJoanna Bowery is the SfEP social media manager. As well as looking after the SfEP’s Facebook, Twitter and LinkedIn accounts and the SfEP blog, she offers freelance marketing, PR, writing and proofreading services as Cosmic Frog. Jo is an entry-level member of the SfEP and a Chartered Marketer. She is active on Facebook, Twitter, LinkedIn and Google+.

Proofread by SfEP entry-level member Susan Walton.

The views expressed here do not necessarily reflect those of the SfEP.

Full circle? Why the SfEP and the SI are uniting to hold their first joint conference

Derwent College University of YorkBookings for the Society for Editors and Proofreaders’ (SfEP) first joint conference with the Society of Indexers (SI) are now open. So why have we joined forces with the SI? And what can delegates expect from this year’s event?

Although this is the first SfEP and SI joint conference, the two organisations share historical links thanks to an SI conference back in 1988. It was at this event that Norma Whitcombe, the SfEP’s founder, asked for help in setting up an organisation similar to the SI, but aimed at freelance editors and proofreaders. This led to the establishment of the Society of Freelance Editors and Proofreaders (renamed in 2001 as the Society for Editors and Proofreaders to reflect the fact that it is also open to in-house members) later that year.

Since then, the SfEP and the SI have maintained close ties. The two organisations even shared offices and an administrator in the 1990s, and some members who belong to both societies.

So it is apt that the theme of the first joint SfEP and SI conference, which takes place from 5–7 September at Derwent College at the University of York, is ‘Collaborate and innovate’.

Joining forces enables both organisations to offer a rich and varied conference programme including plenty of opportunities to network with other editors, proofreaders and indexers. There will be a wide range of workshops and seminars on a range of topics, including an introduction to Word, book art and its role in developing literacy, indexing for editors, and the challenges and ethics of editing students’ theses and dissertations.

Highlights include the Whitcombe lecture by John Thompson, a founder of Polity Press, Professor of Sociology at the University of Cambridge and author of Merchants of Culture: The Publishing Business in the Twenty-First Century, and an after dinner speech by linguist, editor and indexer (and honorary vice-president of the SfEP) David Crystal.

Previous SfEP conference delegates have always commented on the friendliness of colleagues attending the conference and have mentioned that the events offer something for everyone ‘whether seasoned veteran or someone just starting out on a freelance editing career’. Others have even gained new clients!

So, if you’ve not yet booked your conference place, what are you waiting for? There’s an early bird discount if you book your tickets before 17 April 2015.

What are you most looking forward to at this year’s conference?

Joanna BoweryJoanna Bowery is the SfEP social media manager. As well as looking after the SfEP’s Facebook, Twitter and LinkedIn accounts and the SfEP blog, she offers freelance marketing, PR, writing and proofreading services as Cosmic Frog. Jo is an entry-level member of the SfEP and a Chartered Marketer. She is active on Facebook, Twitter, LinkedIn and Google+.

Proofread by SfEP entry-level member Patric Toms.

The views expressed here do not necessarily reflect those of the SfEP.

Three easy steps to create a stress-free work-life balance when working from home

Three ways to achieve a stress-free work-life balanceBy Mariette Jansen (Dr De-Stress)

Dr Mariette Jansen presented a workshop at the Society for Editors and Proofreaders (SfEP) 25th annual conference last weekend entitled ‘The challenge of balance: creating a work-life co-operation, not a battle’. Here she outlines three ways to achieve a stress-free work-life balance when working from home.

Work and life are perceived as two aspects of life that don’t go together: you are either working, or not. If only it was that simple.

Especially when working from home, it can be impossible to separate work and life. All too often, work gets in the way of life and life gets in the way of work. As a result, frustration and stress kicks in because you can’t stick to your best intentions in planning your work and you can often find yourself behind. Often, feelings of guilt arise if your house or child needs attention. Even though you might be physically close by, you don’t really have the time or energy to offer your full presence.

What can you do to make changes?

Lots of stressful situations can be resolved by being clear. Setting goals, planning your time, sticking to your resolutions and, at the same time, being flexible if you have to be.

Step 1: When you work from home or at home, it helps to decide the day before how many hours you need to concentrate on work: choose the minimum requirement, not the maximum possible, as this will set you up for disappointment. You will never fully achieve what you set out to do if you aim for the maximum possible in ideal circumstances. Only once in a while is life kind enough to provide the ideal situation, so you had better not bank on it. If you have to juggle, you need to allow time for that.

Step 2: Plan your hours carefully and stick to the plan, regardless. Communicate your planning to others, so they know as well. If your kids need you at a certain time, they will know when you are available and when you are not. Children can usually wait, you know… It might also mean you get up before anybody else to kick-start your working day with two or three hours of non-disturbed, focused labour. Imagine the feeling of achievement and reassurance when you are on top or, even better, ahead of your schedule.

Step 3: Take each day as it comes and learn from it. You may start with the best intentions, but most likely ‘life gets in the way’. Don’t let anger or frustration blur your perception, just observe what happens and use this information to adapt your planning in the future. The lesson might be that your planning has been more optimistic than realistic. If you continue applying these three steps, you will take more in control of your work-life balance and consequently feel less stressed and happier.

Dr Mariette Jansen / Dr De-StressDr Mariette Jansen aka Dr De-Stress, is a trained psychotherapist, life coach, meditation teacher, designer of award-winning stress-management techniques, author, motivational speaker and life changer. She offers personal coaching services via Skype and in person, aimed at work-life balance, food and diet stress, confidence and work stress. She also organises courses, workshops and talks around mindfulness meditation. Her book ‘Bullshit, non-sense and common-sense about meditation’ has been praised as insightful, easy to read and motivating. Mariette can be contacted by email or phone (07967 717131). She can also be found on Twitter and LinkedIn.

Proofread by SfEP associate Chris Charlton.

The views expressed here do not necessarily reflect those of the SfEP.

 

The Linnets – Singing for Editors and Proofreaders

By Sarah Patey.

The Linnets SfEP conference 2011Long ago and far away – well, Cirencester 1998, in fact – I was a Society for Editors and Proofreaders (SfEP) conference newbie and rather overawed. Conference newbies these days may feel the same, but at least the name-labels are likely to look familiar, thanks to the SfEP forums. The faces too, unless the wearer uses a cartoon avatar. I’d met a few people at courses, but not many.

Chick Linnets

I made an effort to sit with different people at meals, and quickly noticed that every table seemed to have at least one other choral singer (you can tell my small talk is limited). When I next booked a conference (Cambridge 2002) I suggested via the new(ish) SfEPLine, the email precursor to the forums, that a group of us might sing something before the conference dinner. The response was encouraging, and the medium caused one participant to christen us The Linnets (Line – gerrit?). Rather ambitiously, I got hold of an eight-part arrangement of Flanders and Swann’s The Slow Train, and those present tell me they still have fond memories of it.

Fledglings

I didn’t make it to Birmingham in 2003, but have been to every conference since, and the Linnets have become a firm favourite. Once conference preparations are well under way, the call goes out to ask if anyone coming would like to join in. Perhaps unsurprisingly, our demographic produces more sopranos and, particularly, altos, than basses and, particularly, tenors. Usually there are around fifteen or twenty of us, and the music is sent out in advance, as we only have very limited time to practise. The conference director obligingly arranges a room, and those involved sacrifice precious drinking socialising time for the two rehearsal spots – one for familiarisation and one for polishing. We’ve become less ambitious over the years in terms of complexity of music, but work hard to make the words clear. They are always worth it.

Home-grown talent

Most years since 2003, talented members have contributed entertaining lyrics on various aspects of our editorial life: stylesheets, SfEPline, our 20th anniversary, punctuation, deadlines, and so on, and of course the vagaries of Word. Musical arrangements have been provided sometimes in-house, and sometimes by friends and family who’ve been willing to have an arm twisted. Piano accompaniment, when needed, and conducting have also been in-house (well, by extension if you count spouses).

Breaking the pattern

In the dog days of 2006, a spoof poem ‘in the style of’ appeared on SfEPLine. The gauntlet was down, and from all quarters further contributions in all kinds of styles were sent in. We had clerihews, sonnets, haikus, new words to old songs, and so on. TS Eliot seemed to provide particular inspiration. It was a treat, as summed up (à la McGonagall) by one of our founder members:

O Beautiful parody thread of the SfEP Line!
Alas! I am very sorry to say
That ninety working hours were taken away
On one Novembry day of 2006
Which will be remember’d for quite a few weeks. 


In fact they were remembered for quite a few months, and seemed worth enjoying again. So in the Linnets spot in Brighton in 2007 we put on a poetry reading. Choosing which we’d have time for was not an easy task. We succumbed to music for the last item, The Twelve Days of the Schedule – no prizes for guessing the tune. It featured locked files, dangling clauses, misquotations, sexist pronouns, footnotes missing, fuzzy graphs…

Pedants, us?

Well, some might think so, but we’ve found over the years that there’s a lot of musical fun to be had on the subject. If there are any linguistic pedants with musical inclinations out there, perhaps you’ve just found your spiritual home?

(All names omitted to protect the innocent. You know who you are.)

If you’re heading to our conference at Royal Holloway this weekend and you’d like to sing with the Linnets, please contact Sarah Patey and let her know which part you sing (soprano, alto, tenor or bass). Please head your mail ‘Linnets 2014’.

Sarah Patey Le Mot JusteSarah Patey was educated in France, taking both International and French Baccalauréats, and subsequently studied languages in the UK. Initially a teacher of French and German, she joined the SfEP in 1995 to investigate editorial work and to benefit from SfEP’s excellent training courses and professional development. Now an advanced member of SfEP, she edits a variety of humanities subjects and educational material for teachers of French, German and English.
 Sarah’s website is: http://le-mot-juste.co.uk/


Proofread by SfEP associate Laura Morgan.

The views expressed here do not necessarily reflect those of the SfEP.

Tweet about #sfep14 to win a copy of Twitterature

Twitterature

To celebrate our 25th annual Society for Editors and Proofreaders (SfEP) conference, we’re launching a Twitter competition.

All you have to do is follow @theSfEP on Twitter and tweet during the conference using the hashtag #sfep14. Entries received between 13 September and 3 p.m. on 15 September 2014 will be entered into a draw to win a copy of the paperback book Twitterature. The winner will be announced during the closing session of this year’s conference.

Conference Tweetup

The conference is also the perfect time to meet up with other SfEP tweeters at our first ever SfEP Tweetup, which takes place between 5.35 p.m. and 6.15 p.m. on Sunday 14 September. You’ll be able to put faces to handles and share tips and stories. There’s no agenda, just an informal get together.

Twitter Workshop

If you’re new to Twitter, you can learn all about how it works at Julia Sandford-Cooke’s ‘Twitter for Beginners’ workshop at 4 p.m. on Sunday 14 September. Perhaps she’ll whet your appetite enough to encourage you to head to the Tweetup afterwards. For more tips from Julia, check out the post she wrote for the SfEP blog: Five reasons editors love Twitter.

If you’re not sure what to tweet or how to use the #sfep14 hashtag, take a look at what people tweeted at last year’s conference in this Storify collection of #sfep13.

Wifi will be available throughout the conference venue and wifi and wired access is available in the conference accommodation.

Full terms and conditions of the Twitter competition can be viewed on the SfEP website.

Joanna Bowery

Joanna Bowery is the SfEP social media manager. As well as looking after the SfEP’s Facebook, Twitter and LinkedIn accounts and the SfEP blog, she offers freelance marketing, PR, writing and proofreading services operating as Cosmic Frog. Jo is an associate of the SfEP and a Chartered Marketer. She is active on Facebook, Twitter, LinkedIn and Google+.

Proofread by SfEP associate Ravinder Dhindsa.

The views expressed here do not necessarily reflect those of the SfEP.

 

Meet the SfEP conference sponsors

London Royal Holloway - the venue for the 25th SfEP annual conference 13-15 September 2014

London Royal Holloway – the venue for the 25th SfEP annual conference

So, you’re off to the SfEP conference. You’ve booked your workshops, you’re finalising your travel arrangements and you’re wondering what to wear to the Gala dinner. But have you thought about how to make the most of our exhibition?

Whether you want to find out more about software that will streamline your operations, you’re looking for a training course, or you’re looking at ways to reduce your stress levels, you’ll find something of interest among our conference exhibitors.

Here, we give you the lowdown on our conference sponsors, including their profiles, so you can decide which ones to visit at the exhibitors’ fair and prepare any questions when you visit the stands.

Sponsors

The Publishing Training Centre and The Publishing Qualifications Board

Whether you’re just starting your career in proofreading or editing, or you are looking at further developing your skill set, The Publishing Training Centre (PTC) is definitely worth a visit. The PTC is sponsoring the Whitcombe Lecture.

The Publishing Training Centre and The Publishing Qualifications Board profile:

‘The Publishing Training Centre (PTC) supports organisations and individuals that utilise publishing skills as a critical part of their operations by delivering classroom based and distance learning courses. The distance learning courses are provided under the auspices of The Publishing Qualifications Board that was established in 1991 as the awarding body for the vocational qualifications of the publishing industry. Later this year The Publishing Qualifications Board is being re-born as the PQB. In addition to accrediting the distance learning courses, PQB will provide a comprehensive Continuing Professional Development framework for publishing professionals.’

Inera Inc.

Ensuring references are correctly formatted can be a thankless task. However, Inera Inc. could come to the rescue with their tools, which automatically correct, link and format references. Inera – Innovation for Today, Resources for Tomorrow – is the firm that created eXtyles® and Edifix®. Inera is sponsoring Anne Waddingham’s ‘Working with Word’s styles’ workshop.

Inera profile:

‘Inera is a leading developer of sophisticated editorial and production solutions for the publishing world. Our eXtyles® suite of editorial and XML solutions are used in the production of journals, books, standards, and government documents in more than twenty-five countries. What sets us apart are the unique features and unparalleled quality of our products and services, and the relationships we build with our customers.

Manual curation of references is costly, time consuming, tedious, and error prone. Edifix® automatically edits plain-text references to popular editorial styles such as AMA, APA 5, APA 6, Chicago, ICMJE (Vancouver), ISO 690, and MLA. References are also linked to PubMed and CrossRef and corrected with data retrieved from these online resources. Results can be pasted into Word, saved to JATS XML, or converted to RIS for seamless integration with popular reference managers. Edifix® is built with proven eXtyles® reference processing technology, used by the leading scientific publishers worldwide, and is available by flexibly priced subscription, making it affordable for everyone, from individual users to large enterprises.’

Intelligent Editing – PerfectIt

If you’re looking for software that will pick up inconsistencies in documents, Intelligent Editing’s PerfectIt is worth a look. We mentioned it in our blog post on Computer Tools for Proofreaders. PerfectIt is sponsoring the exhibitors’ fair.

Intelligent Editing – PerfectIt profile:

‘PerfectIt saves time and helps editors deliver better documents. More than 250 members of the SfEP use PerfectIt to find difficult to locate mistakes. In seconds, PerfectIt can find inconsistent hyphenation, acronyms that haven’t been defined, list punctuation errors, capitalisation inconsistencies, and much more. PerfectIt is designed for professionals and is easy to download, install and use. A free trial is available from: www.intelligentediting.com.’

Exhibitors

BioExact

If you specialise in the life sciences or if you know an author or publisher involved in biological or medical sciences, then BioExact is definitely worth a visit. The firm specialises in editing manuscripts and also offers an editing service for abstracts and press releases for publications or conferences.

BioExact profile:

‘BioExact is a UK-based, online service that specialises in editing manuscripts for life science publications. Abstracts and press releases for publications or conferences, are currently edited free of charge. Authors and publishers are welcome to call (0844 800 4044) for an informal discussion about their editing needs. Visit bioexact.co.uk for further information about services and prices.’

Mariette Jansen / Dr De-Stress

Feeling stressed? Do you get anxious? Are deadlines getting you down? Is your life getting out of control? Visit Mariette Jansen, also known as Dr De-Stress for information on how to regain control of your life.

Mariette Jansen / Dr De-Stress profile:

‘Dr Mariette Jansen (aka Dr De-Stress) is an expert in helping people with stress related challenges. Using her knowledge and experience as a psychotherapist, tutor in counselling education and author about mindfulness meditation, she has created a range of tools that help clients to take charge of their stress levels. Stress is caused by the (perceived) lack of control and by understanding the dynamics of stress and learning tools to deal differently with it, people can change their lives around. Dr Jansen has been awarded for her stress management technique by Janey Lee Grace (radio and TV presenter, author and founder of www.imperfectlynatural.com), has written a series of articles for ‘the Guardian’, is a published author and offers personal coaching, tuition, and workshops.’

EM Words – Elizabeth Manning Murphy DE

We all love books, so you’ll definitely want to take a look at editor, writer, mentor and trainer Elizabeth Manning Murphy DE. She will be selling her study guide, Effective writing: plain English at work and her book about editing and writing, Working Words, which, among other things, tackles the well-known curse of editors and authors: ‘itchypencilitis’.

EM Words profile:

‘Elizabeth Manning Murphy is a distinguished Editor (IPEd, Australia), an Honorary Life Member of the Canberra Society of Editors, and has an Honours degree in Linguistics. She has been editing, writing, training and mentoring in Australia and internationally for more than 40 years. She specialises in academic editing – theses and scholarly journal articles, with a special interest in helping authors whose native language is not English.

Elizabeth is an acclaimed author of many books about editing, writing and business, most recently a second edition of her popular study guide ‘Effective writing: plain English at work’ and ‘Working Words’, a collection of ‘chats’ about editing and writing. Her training focuses on English grammar and plain English as a basis from which to build a good relationship between editor and client. She is an experienced teacher, mentor and speaker to large and small groups.’

John Linnegar

Many of us work with authors from around the world, so a book that reflects international best practice is of real value. Especially when it includes details of a systematic approach to efficiently tackle texts. John Linnegar will be selling Text Editing: A handbook for students and practitioners in the exhibitors’ fair.

John Linnegar profile:

‘Co-author with professors WAM Carstens (North-West University, South Africa) and Kris Van de Poel (Antwerp University, Belgium), John Linnegar was largely responsible for translating and adapting the published source text into ‘Text Editing: A handbook for students and practitioners’ (UPA, Brussels, 2012). This publication is expressly intended for an international audience of language practitioners and has been favourably reviewed and well received in Western Europe, Australia, South Africa, and also in the UK. Unlike similar publications aimed at text editors and associated language practitioners, ‘Text Editing’ reflects international best practice in the most accessible and practical of ways. 

A core feature of the book and its approach is the so-called ‘CCC Model’, the 15 evaluation points of which – covering important facets of documents such as text type, content, structure, wording and presentation – provide the most systematic approach to analysing, evaluating and improving texts yet published. The list of resources available to practitioners is one of the most comprehensive yet published. Copies can be obtained during the SfEP annual conference. Alternatively, they can be ordered either directly from Antwerp-based John Linnegar (info@editandtrain.com) or via the University Press Antwerp website (www.aspeditions.be).’

Oxford University Press – Oxford Language Editing

Do you specialise in academic editing? If so, you’ll definitely want to visit the Oxford University Press stand and find out more about its new Oxford Language Editing service.

Oxford University Press – Oxford Language Editing profile:

‘Oxford Language Editing is a new service from Oxford University Press for academic researchers around the world, helping ensure that academic writing is published in the highest-quality English, giving ideas the best chance of making an impact. The service draws on OUP’s extensive English language knowledge through its publishing of the Oxford English Dictionary, over 300 leading academic journals, and award-winning books in a wide number of subjects. We offer English language editing and abstract editing services in a variety of disciplines.’

Reedsy

Interest in self-publishing continues to grow, so anyone working with authors who are self-publishing might want to investigate Reedsy, which operates as a marketplace where self-publishing authors can find all the experts they need to launch their book.

Reedsy profile:

‘Reedsy is a curated marketplace for self-publishing authors. We allow them to find vetted, industry-experienced editors, cover designers, publicists and translators, compare their profiles, request quotes and samples, and ultimately work together. But Reedsy is more than just a marketplace. We provide innovative collaboration tools to keep the workflow on one platform, both for the authors and for the freelancers. Think of it as a project management tool. We have also developed a new writing software optimised for author-editor collaboration, with an inbuilt track changes system, and simplified conversion to the electronic formats. In a word, Reedsy can make authors’ and editors’ lives much easier.’

The SfEP is extremely grateful to all our conference sponsors and we hope this guide helps you make the most of the exhibitors’ fair. Let us know which stands you plan to visit.

Joanna Bowery

Joanna Bowery
SfEP Social Media Manager

Joanna Bowery is the SfEP social media manager. As well as looking after the SfEP’s Facebook, Twitter and LinkedIn accounts and the SfEP blog, she offers freelance marketing, PR, writing and proofreading services operating as Cosmic Frog. Jo is an associate of the SfEP and a Chartered Marketer. She is active on Facebook, Twitter, LinkedIn and Google+.

This article was proofread by SfEP associate Karen Pickavance.

The views expressed here do not necessarily reflect those of the SfEP.

London Royal Holloway - the venue for the 25th SfEP annual conference 13-15 September 2014

10 ways to get the most out of the SfEP annual conference

London Royal Holloway - the venue for the 25th SfEP annual conference 13-15 September 2014

The 25th SfEP annual conference takes place at London Royal Holloway from 13-15 September 2014

By Joanna Bowery

Whether you’ve already booked your ticket or you’re still considering whether to go, here are ten ways to get the most out of the Society for Editors and Proofreaders (SfEP) annual conference.

1. Set goals. Think about what you want to gain from the conference and how this links with an area of editing or proofreading you’d like to find out more about or want to get involved in. Look at the conference programme and write a list of things you want to learn, questions you’d like to be answered and people you want to meet. Once you’ve written down your goals, review them after the sessions at conference and again when you get home to see if you’ve achieved them.

2. Book early! Get in early to book your preferred workshops and seminars; online booking opens on 23 July and the sessions are allocated on a first come, first served basis. When choosing your sessions, don’t just go for the ones where you would feel most comfortable: choose one session that could introduce you to new ideas or subjects.

3. Prepare. Research the sessions and the speakers, to find out what they might be talking about and to help you come up with questions, both in the sessions and when you’re socialising. When you arrive, check out the delegate list. Is there a name from the SfEP forums or the SfEP social networks – Facebook, Twitter and LinkedIn – that you recognise? Now is your chance to meet them in person. Familiarise yourself with the Royal Holloway campus map, to reduce the risk of getting lost.

4. Ask questions. Don’t be afraid to ask questions during the sessions, especially if it helps you develop your knowledge of an area of editing or proofreading that you identified when you set your goals. Outside the conference events, asking questions of everyone you meet is the best way to start a conversation.

5. Be approachable. If you are engrossed in your phone or look grumpy, you won’t get to talk to anyone. Make eye contact and smile and you’ll soon get chatting to others. When you sit down, speak to the person next to you. If you’re nervous about ‘networking’, practise one introductory sentence about yourself and then have ready a couple of questions. ‘Where have you come from?’, ‘What have you enjoyed the most so far?’ or ‘What session are you most looking forward to?’ are easy openers that can get a conversation started. And don’t forget to hand out – and ask for – business cards, so you can follow up on your new contacts after the conference.

6. Join the conversation online. Use the #SfEP14 tag and follow the hashtag on Twitter. Chatting online before the conference can make it easier to meet delegates in real life. It can also be fun to discover others’ perspectives on the conference and sessions. Also, by talking about the conference on social media, you will be showing your professional contacts that you are committed to professional development by attending the conference.

7. Socialise. All work and no play can make for a very dull conference. Informal chatting to colleagues and potential clients helps to cement connections and makes you more likely to keep in touch after the conference. As well as going to the gala dinner or for a drink after the sessions, make an effort to eat with people you haven’t met before, and be confident enough to strike up conversations. One of the best things about the SfEP conference is that it is an opportunity to meet other freelance and in-house proofreaders and editors and to share experiences and advice. So make the most of the opportunity to make or catch up with professional contacts; this can often lead to future business opportunities and friendships too.

8. Think about what to wear. While you may be sitting down for workshops and seminars, you will also be doing a fair bit of walking and standing. Wear comfortable shoes and clothes, so you can focus on the sessions and on meeting new people and catching up with old friends, not on your throbbing feet after a day spent wearing new shoes!

9. Make notes. Remember to bring a notebook so you can jot down some notes about what you learned in the sessions and who you met. After the conference, compile your notes into a report. Why not share your experiences by posting a blog or contributing to the SfEP conference report?

10. Have fun! Enjoy your time out of the office, developing your knowledge, meeting new people and – of course – celebrating 25 years of the SfEP annual conference.

The SfEP 25th annual conference – Editing: fit for purpose – takes place on Saturday 13 –Monday 15 September 2014. You can book tickets until 18 July.

What advice would you add to help delegates make the most of the SfEP conference?

Joanna Bowery social media manager at the Society for Editors and Proofreaders (SfEP)

Joanna Bowery is the SfEP social media manager. As well as looking after the SfEP’s Facebook, Twitter and LinkedIn accounts and the SfEP blog, she is a freelance marketing and PR consultant operating as Cosmic Frog. Jo is an associate of the SfEP and a Chartered Marketer. She is active on Facebook, Twitter, LinkedIn and Google+. In her spare time, Jo enjoys rugby (although she has retired from playing) and running.

Proofread by Jane Hammett, an advanced member of the SfEP.

The views expressed here do not necessarily reflect those of the SfEP.

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